Zotero Library

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Zotero Library

ZOTERO LIBRARY

Our Zotero library on Creative Computing Cultures is a curated collection of academic resources, including journal articles, books, and reports, that explore the intersections of computation, creativity, and digital culture.

This library is designed to support researchers, students, and practitioners interested in topics such as digital media, computational methodologies, creative coding, and human-computer interaction. The library is administered by Kieran Nolan (kieran.nolan@dkit.ie).

1. Digital Subcultures

i) AI Machinima

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ii) Cracking, Piracy, Demoscene

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Albert, G. J. (2017). Computerkids als mimetische Unternehmer. Die Cracker-Szene zwischen Subkultur und Ökonomie (1985-1995). Werkstattgeschichte, 2017(74), 49–66. https://werkstattgeschichte.de/abstracts/nr-74-gleb-j-albert/

Albert, G. J. (2015). About. Got Papers? http://gotpapers.untergrund.net/?page_id=4

Albert, G. J. (2016). Computerkids als mimetische Unternehmer: die Cracker-Szene zwischen Subkultur und Ökonomie (1985-1995). WerkstattGeschichte, 74, 49–66. https://doi.org/10.5167/uzh-140990

Albert, G. J. (2018). Subkultur, Piraterie und neue Märkte: Die transnationale Zirkulation von Heimcomputersoftware, 1986-1995. In F. Bösch (Ed.), Wege in die digitale Gesellschaft: Computernutzung in der Bundesrepublik 1955-1990 (pp. 49–66). Wallstein Verlag. https://werkstattgeschichte.de/abstracts/nr-74-gleb-j-albert/

Alberts, G., & Oldenziel, R. (Eds.). (2014). Hacking Europe: From Computer Cultures to Demoscenes (2014th edition). Springer.

Aycock, J., & Reinhard, A. (2017). Copy Protection in Jet Set Willy: developing methodology for retrogame archaeology. Internet Archaeology, 45. https://doi.org/10.11141/ia.45.2

Benić, K. (2014, March 4). YU Gamer. Plan B. http://planb.hr/yu-gamer/

Botz, D. (2011). Kunst, Code und Maschine: Die Ästhetik der Computer-Demoszene (1st edition). transcript.

Breddin, M. A. (2022). CRACKERS I: The Gold Rush. Microzeit. https://microzeit.com/en-int/products/crackers-i-the-gold-rush

Carlsson, A. (2009). The Forgotten Pioneers of Creative Hacking and Social Networking: Introducing the Demoscene. In S. Cubitt & P. Thomas (Eds.), Re:live 2009 Conference Proceedings (pp. 16–20). University of Melbourne and Victorian College of the Arts and Music.

Charney, N. (2015). The art of forgery: the minds, motives and methods of master forgers. Phaidon.

Consalvo, M. (2015). Atari to Zelda: Japan’s videogames in global contexts. MIT Press.

Eve, M. P. (2021). Warez: The Infrastructure and Aesthetics of Piracy. punctum books. https://doi.org/10.53288/0339.1.00

Fassone, R. (2017). Cammelli and Attack of the Mutant Camels: A Variantology of Italian Video Games of the 1980s. Well Played Journal, 6(2), 55–71. http://press.etc.cmu.edu/content/volume-6-number-2-european-videogames-1980s

Fenby-Hulse, K. (2016). Rethinking the Digital Playlist: Mixtapes, Nostalgia and Emotionally Durable Design. In R. Nowak & A. Whelan (Eds.), Networked Music Cultures: Contemporary Approaches, Emerging Issues (pp. 171–188). Palgrave Macmillan UK. http://dx.doi.org/10.1057/978-1-137-58290-4_11

Grabarczyk, P., & Aarseth, E. (2019, August). Port or conversion? An ontological framework for classifying game versions. DiGRA ’19 – Proceedings of the 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix. http://www.digra.org/wp-content/uploads/digital-library/DiGRA_2019_paper_189.pdf

Hartmann, D. (2017). Digital Art Natives – Praktiken, Artefakte und Strukturen der Computer-Demoszene. Kulturverlag Kadmos Berlin.

Hastik, C. (2014). Demo Age: New Views. WiderScreen, 1–2/2014. http://widerscreen.fi/numerot/2014-1-2/demo-age-new-views/

Hastik, C. (2022). Knowledge Design of Digital Subcultural Heritage – Heuristics from Curating Creativity, Aesthetics and Culture of the Demoscene. Verlag Werner Hülsbusch.

Herzog, A. E. (2012). “But this is my story and this is how I wanted to write it”: Author’s notes as a fannish claim to power in fan fiction writing. Transformative Works and Cultures, 11(0). https://doi.org/10.3983/twc.2012.0406

Jeff Smart. (1988). The European Crackers Map, Anno 1988. Illegal, 3(26), Not numbered. https://files.scene.org/view/mags/illegal/illegal26.txt

Jørgensen, K., Sandqvist, U., & Sotamaa, O. (2017). From hobbyists to entrepreneurs: On the formation of the Nordic game industry. Convergence, 23(5), 457–476. https://doi.org/10.1177/1354856515617853

Juul, J. (2009, September 24). Paragaming: Good Fun with Bad Games. The Ludologist. https://www.jesperjuul.net/ludologist/2009/09/24/paragaming-good-fun-with-bad-games/

Katzenbach, C., Herweg, S., & Roessel, L. van. (2016). Copies, Clones, and Genre Building: Discourses on Imitation and Innovation in Digital Games. International Journal of Communication, 10, 838–859. http://ijoc.org/index.php/ijoc/article/view/4802

Labský, S. (2001). ZX Spectrum kopiraky. Busysoft. http://busy.speccy.cz/tvorba/zxcopys.htm

Larkin, B. (2008). Signal and noise: media, infrastructure, and urban culture in Nigeria. Duke University Press.

Ledeneva, A. (Ed.). (2018). The global encyclopaedia of informality: understanding social and cultural complexity: Volume 1. UCL Press.

Maher, J. (2012). The future was here: The Commodore Amiga. MIT Press.

Montfort, N. (2021). A Platform Poetics / Computational Art, Material and Formal Specificities, and 101 BASIC POEMS. Digital Review, 1. http://thedigitalreview.com/issue01/montfort-a-platform-practice/index.html

Montfort, N. (2019). 256B on the C64 for 8K. Proceedings of the 2019 on Creativity and Cognition, 497–501. https://doi.org/10.1145/3325480.3329174

O’Hagan, M., & Mangiron, C. (2013). Game localization: translating for the global digital entertainment industry. John Benjamins Publishing Company.

O’Donnell, C. (2014). Mixed messages: The ambiguity of the MOD chip and pirate cultural production for the Nintendo DS. New Media & Society, 16(5), 737–752. https://doi.org/10.1177/1461444813489509

Polgar, T. (2005). Freax. The brief history of the demoscene. (Vol. 1). CSW Verlag.

Rahm-Skågeby, J., & Carlsson, A. (2021). The archive and the scene: On the cultural techniques of retrocomputing databases. New Media & Society, 23(4), 732–749. https://doi.org/10.1177/1461444820954186

Reunanen, M. (2014). Four Kilobyte Art. WiderScreen, 1–2/2014. http://widerscreen.fi/numerot/2014-1-2/four-kilobyte-art/

Reunanen, M. (2014). How Those Crackers Became Us Demosceners. WiderScreen, 17(1–2). http://widerscreen.fi/numerot/2014-1-2/crackers-became-us-demosceners/

Reunanen, M. (2017). Times of change in the demoscene: a creative community and its relationship with technology. Turun yliopisto. https://urn.fi/URN:ISBN:978-951-29-6717-9

Reunanen, M. (2010). Computer Demos – What Makes them Tick? Aalto University. http://www.kameli.net/demoresearch2/reunanen-licthesis.pdf

Reunanen, M., Wasiak, P., & Botz, D. (2015). Crack Intros: Piracy, Creativity and Communication. International Journal of Communication, 9, 20. http://ijoc.org/index.php/ijoc/article/view/3731

Reunanen, M., Heikkinen, T., & Carlsson, A. (2019). PETSCII – A Character Set and a Creative Platform. Replay, 5(1), 27–47. https://doi.org/https://doi.org/10.18778/2391-8551.05.02

Saarikoski, P., & Reunanen, M. (2014). Great Northern Machine Wars: Rivalry Between User Groups in Finland. IEEE Annals of the History of Computing, 36(2), 16–26. https://doi.org/10.1109/MAHC.2014.20

Saarikoski, P., Suominen, J., & Reunanen, M. (2017). Pac-Man for the VIC-20: Game Clones and Program Listings in the Emerging Finnish Home Computer Market. Well Played Journal, 6(2), 7–31. http://press.etc.cmu.edu/content/volume-6-number-2-european-videogames-1980s

Salter, A. M. (2009). “Once more a kingly quest”: Fan games and the classic adventure genre. Transformative Works and Cultures, 2(0). http://journal.transformativeworks.org/index.php/twc/article/view/33

Salve Big Ben / COSMOS. (1988). The East is Coming! Illegal, 3(31), Not numbered. https://files.scene.org/view/mags/illegal/illegal31.txt

Stanton, J., & Pinal, D. (1984). Atari graphics & arcade game design. Arrays Inc. http://www.atariarchives.org/agagd/

Tarde, G. (1903). The Laws of Imitation. Henry Holt and Company.

Tushnet, R. (1997). Legal Fictions: Copyright, Fan Fiction, and a New Common Law. Loyola of Los Angeles Entertainment Law Review, 17(3), 651. http://digitalcommons.lmu.edu/elr/vol17/iss3/8

Tyni, H., & Sotamaa, O. (2014). Assembling a Game Development Scene? Uncovering Finland’s Largest Demo Party. GAME, 3/2014, 109–119. https://www.gamejournal.it/3_tyni_sotamaa/

Vas, G. (2013, Summer). The Funniest (And Worst) Engrish In Classic Japanese Video Games. Kotaku. http://kotaku.com/5980508/the-funniest-and-worst-engrish-in-classic-japanese-video-games

Vuorinen, J. (2007). Ethical codes in the digital world: comparisons of the proprietary, the open/free and the cracker system. Ethics and Information Technology, 9(1), 27–38. https://doi.org/10.1007/s10676-006-9130-2

Wasiak, P. (2014). “Amis and Euros.” Software Import and Contacts Between European and American Cracking Scenes. WiderScreen, 1–2/2014. http://widerscreen.fi/numerot/2014-1-2/amis-euros-software-import-contacts-european-american-cracking-scenes/

Wasiak, P. (2013). Computer Dealer Demos: Selling Home Computers with Bouncing Balls and Animated Logos. IEEE Annals of the History of Computing, 35(4), 56–68. https://doi.org/10.1109/MAHC.2013.16

Wasiak, P. (n.d.). Dropping Out of Socialism with the Commodore 64 Polish Youth, Home Computers, and Social Identities. Juliane Fürst, Josie McLellan (Eds.), Dropping Out of Socialism. The Creation of The Alternative Spheres in the Soviet Bloc, Lanham: Lexington Books. Retrieved November 11, 2021, from https://www.academia.edu/38561785/Dropping_Out_of_Socialism_with_the_Commodore_64_Polish_Youth_Home_Computers_and_Social_Identities

Wasiak, P. (2012). ‘Illegal Guys’. A History of Digital Subcultures in Europe during the 1980s. Zeithistorische Forschungen, 150 KB. https://doi.org/10.14765/ZZF.DOK-1595

Wasiak, P. (n.d.). Playing and Copying: Social Practices of Home Computer Users in Poland during the 1980s. History of Computing, 129–150. Retrieved November 11, 2021, from https://www.academia.edu/13353149/Playing_and_copying_social_practices_of_home_computer_users_in_Poland_during_the_1980s

AudioStar HS-I, Type I cassette/tape, anyone? (2012, 12). Tapeheads – Tape, Audio and Music Forums. http://www.tapeheads.net/showthread.php?t=22033

Video Game Demake. (n.d.). TV Tropes. Retrieved May 30, 2017, from http://tvtropes.org/pmwiki/pmwiki.php/Main/VideogameDemake

CRACKERS II: The Data Storm. (n.d.). Retrieved November 15, 2022, from https://microzeit.com/products/crackers-ii-the-data-storm

iii) Creative Communities

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Boomer, J.; Harwood, T.; Garry, T. (2018). Value transformation in the ‘let’s play’ gaming sub-culture. Journal of Creating Value, 4(2), 229–242. https://doi.org/10.1177/2394964318804705

Gason, O. (n.d.). Mapping DAI magazines’ Readership – DAI-ving into the Past. Retrieved September 16, 2023, from https://dai.hypotheses.org/119

Grove, Ricky; Harwood, Tracy; Rice, Phil; Valentine, Damien. (n.d.). And Now For Something Completely Machinima [Audio recording]. www.completelymachinima.com

Harwood, T.; Boomer, J.; Garry, T. (2020). Value transformation: from online community to business benefit. In Value construction in the creative economy (1st ed., Vol. 1). Palgrave Macmillan.

Harwood, T.; Garry, T.; Belk, R. (2019). Convergence markets: virtual [corpo]reality. Markets, Globalization and Development Review, 3(3). https://digitalcommons.uri.edu/mgdr/vol3/iss3/3/

Harwood, T.; Garry, T.; Uwins, M. (2015). Machinima: extending brand reach. Journal of Consumer Behaviour, 14(6), 378–388. https://doi.org/10.1002/cb.1552

Harwood, Tracy. (2019). Co-curating digital culture: hybrid practice of machinima. Leonardo, 52(2). https://doi.org/10.1162/LEON_a_01328

Harwood, Tracy. (2013). Per un manifesto del machinima. In MACHINIMA! Teorie. Pratiche. Dialoghi, Ludologica. Edizioni Unicopli.

Harwood, Tracy; Garry, Tony. (2012). It’s Mine: participation and ownership within virtual value co-creation environments. In New Developments in Online Marketing.

Harwood, Tracy; Grussi, Ben. (2021). Pioneers in Machinima: Grassroots of Virtual Production (1st ed.). Vernon Press. https://www.worldcat.org/title/1255238752

Hurel, P.-Y. (2016, August 4). Playing RPG Maker? Amateur Game Design and Video Gaming. First International Joint Conference of DIGRA and FDG. https://orbi.uliege.be/handle/2268/200859

Ringot, M., & Friche, L. (2023). « Si par une nuit d’été un game designer… » : un cas de mise en espace ludique d’Italo Calvino Entre spatialisation thématique et ludoformation stylistique. Cahiers du Numérique, 18(1–4), 205. https://lcn.revuesonline.com/article.jsp?articleId=43832

2. Hardware

i) Clones

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Apperley, T., & Parikka, J. (2018). Platform Studies’ Epistemic Threshold. Games and Culture, 13(4), 349–369. https://doi.org/10.1177/1555412015616509

Batiz-Lazo, B., & Smith, A. (2016). The Industrial Organization of Hong Kong’s Progression Toward a Cashless Economy (1960s-2000s). IEEE Annals of the History of Computing, 38(2), 54–65. https://doi.org/10.1109/MAHC.2016.15

Benjamin, W. (1986). The Work of Art in the Age of Mechanical Reproduction (H. Zohn, Trans.). In H. Arendt (Ed.), Illuminations: Essays and Reflections (pp. 217–252). Schocken Books.

Benjamin, W. (1986). Illuminations (H. Arendt, Ed.; H. Zohn, Trans.). Schocken Books.

Bergin, T. J. (2006). The Origins of Word Processing Software for Personal Computers: 1976-1985. IEEE Annals of the History of Computing, 28(4), 32–47. https://doi.org/10.1109/MAHC.2006.76

Bergin, T. J. (2006). The Proliferation and Consolidation of Word Processing Software: 1985-1995. IEEE Annals of the History of Computing, 28(4), 48–63. https://doi.org/10.1109/MAHC.2006.77

Campbell-Kelly, M. (2007). Number Crunching without Programming: The Evolution of Spreadsheet Usability. IEEE Annals of the History of Computing, 29(3), 6–19. https://doi.org/10.1109/MAHC.2007.4338438

Ceruzzi, P. E. (2001). A view from 20 year as a historian of computing. IEEE Annals of the History of Computing, 23(4), 49–55. https://doi.org/10.1109/85.969963

Copeland, D. G., Mason, R. O., & McKenney, J. L. (1995). Sabre: the development of information-based competence and execution of information-based competition. IEEE Annals of the History of Computing, 17(3), 30–57. https://doi.org/10.1109/85.397059

Cortada, J. W. (2019). IBM: the rise and fall and reinvention of a global icon. The MIT Press.

da Costa Marques, I. (2015). Brazil’s Computer Market Reserve: Democracy, Authoritarianism, and Ruptures. IEEE Annals of the History of Computing, 37(4), 64–75. https://doi.org/10.1109/MAHC.2015.53

Ensmenger, N. (2018). The Environmental History of Computing. Technology and Culture, 59(4S), S7–S33. https://doi.org/10.1353/tech.2018.0148

Galloway, P. (2011). Personal Computers, Microhistory, and Shared Authority: Documenting the Inventor–Early Adopter Dialectic. IEEE Annals of the History of Computing, 33(2), 60–74. https://doi.org/10.1109/MAHC.2011.45

Gawrysiak, P. (2019). Polish Text Editors During the Fall of the Iron Curtain. IEEE Annals of the History of Computing, 41(2), 6–21. https://doi.org/10.1109/MAHC.2019.2894574

Grad, B. (2007). The Creation and the Demise of VisiCalc. IEEE Annals of the History of Computing, 29(3), 20–31. https://doi.org/10.1109/MAHC.2007.4338439

Grad, B. (2002). A personal recollection: IBM’s unbundling of software and services. IEEE Annals of the History of Computing, 24(1), 64–71. https://doi.org/10.1109/85.988583

Hensch, K., Igi, T., Iwao, M., Oda, A., & Takeshita, T. (2005). IBM History of Far Eastern Languages in Computing, Part 3: IBM Japan Taking the Lead, Accomplishments through the 1990s. IEEE Annals of the History of Computing, 27(1), 38–55. https://doi.org/10.1109/MAHC.2005.11

Johns, A. (2009). Piracy: the intellectual property wars from Gutenberg to Gates. The University of Chicago Press.

Keet, E. E. (2005). A Personal Recollection of Software’s Early Days (1960-1979): Part 2. IEEE Annals of the History of Computing, 27(4), 31–45. https://doi.org/10.1109/MAHC.2005.51

Klimenko, S. V. (1999). Computer science in Russia: a personal view. IEEE Annals of the History of Computing, 21(3), 16–30. https://doi.org/10.1109/85.778979

Larson, I. (2022). The Bootleg Connection: Micro Genius and the Transnational Circulation of Early Clone Consoles. ROMchip, 4(1). https://romchip.org/index.php/romchip-journal/article/view/143

Layer, H. A. (1989). Microcomputer History and Prehistory – An Archaeological Beginning. IEEE Annals of the History of Computing, 11(2), 127–130. https://doi.org/10.1109/MAHC.1989.10017

Lin, L.-F. (2016). Design Engineering or Factory Capability? Building Laptop Contract Manufacturing in Taiwan. IEEE Annals of the History of Computing, 38(2), 22–39. https://doi.org/10.1109/MAHC.2015.73

Lorenzen, L. (2019). The Ventura Story. IEEE Annals of the History of Computing, 41(3), 75–88. https://doi.org/10.1109/MAHC.2019.2923398

Maier, J. H. (1988). Thirty Years of Computer Science Developments in the People’s Republic of China: 1956-1985. IEEE Annals of the History of Computing, 10(1), 19–34. https://doi.org/10.1109/MAHC.1988.10003

Marques, I. da C. (2005). Cloning computers: From rights of possession to rights of creation. Science as Culture, 14(2), 139–160. https://doi.org/10.1080/09505430500110887

McKernan, B. (2019). Digital Texts and Moral Questions About Immigration: Papers, Please and the Capacity for a Video Game to Stimulate Sociopolitical Discussion. Games and Culture. https://doi.org/10.1177/1555412019893882

Merriam-Webster. (2020, March 29). Clone. Merriam-Webster.Com Dictionary. https://www.merriam-webster.com/dictionary/clone

Milivojevic, D. R., Pavlov, M., Despotovic, V., & Tasic, V. (2012). Half a Century of Computing in the Serbian Copper Mining and Metallurgy Industry. IEEE Annals of the History of Computing, 34(3), 34–43. https://doi.org/10.1109/MAHC.2012.2

Nooney, L. (2020). The Uncredited: Work, Women, and the Making of the U.S. Computer Game Industry. Feminist Media Histories, 6(1), 119–146. https://doi.org/10.1525/fmh.2020.6.1.119

Page, J. (2008). The Engineer’s Tale: The Founding of Software Publishing Corporation. IEEE Annals of the History of Computing, 30(2), 68–70. https://doi.org/10.1109/MAHC.2008.31

Partridge, C. (2008). The Technical Development of Internet Email. IEEE Annals of the History of Computing, 30(2), 3–29. https://doi.org/10.1109/MAHC.2008.32

Partridge, C., & Blumenthal, S. (2006). Data Networking at BBN. IEEE Annals of the History of Computing, 28(1), 56–71. https://doi.org/10.1109/MAHC.2006.7

Phillips, T. (2015). “Don’t clone my indie game, bro”: Informal cultures of videogame regulation in the independent sector. Cultural Trends, 24(2), 143–153. https://doi.org/10.1080/09548963.2015.1031480

Preston, F. S. (2003). A 1965 era spreadsheet. IEEE Annals of the History of Computing, 25(4), 82–88. https://doi.org/10.1109/MAHC.2003.1253894

Ristanović, D., & Protić, J. (2012). Once Upon a Pocket: Programmable Calculators from the Late 1970s and Early 1980s and the Social Networks Around Them. IEEE Annals of the History of Computing, 34(3), 55–66. https://doi.org/10.1109/MAHC.2011.63

Saarikoski, P., & Suominen, J. (2009). Computer Hobbyists and the Gaming Industry in Finland. IEEE Annals of the History of Computing, 31(3), 20–33. https://doi.org/10.1109/MAHC.2009.39

Sachs, J. (2007). Recollections: Developing Lotus 1-2-3. IEEE Annals of the History of Computing, 29(3), 41–48. https://doi.org/10.1109/MAHC.2007.4338441

Scull, J., & Hsu, H. (2019). The Killer App ThatSaved the Macintosh. IEEE Annals of the History of Computing, 41(3), 42–52. https://doi.org/10.1109/MAHC.2019.2918094

Sikora, M. (2019). Cooperating with Moscow, Stealing in California: Poland’s Legal and Illicit Acquisition of Microelectronics Knowhow from 1960 to 1990. In C. Leslie & M. Schmitt (Eds.), Histories of Computing in Eastern Europe (Vol. 549, pp. 165–195). Springer International Publishing. https://doi.org/10.1007/978-3-030-29160-0_10

Sippl, R. (2013). Informix: Information Management on Unix. IEEE Annals of the History of Computing, 35(2), 42–53. https://doi.org/10.1109/MAHC.2012.53

Stachniak, Z. (2010). The MIL MF7114 Microprocessor. IEEE Annals of the History of Computing, 32(4), 48–59. https://doi.org/10.1109/MAHC.2009.62

Stachniak, Z. (2003). The making of the MCM/70 microcomputer. IEEE Annals of the History of Computing, 25(2), 62–75. https://doi.org/10.1109/MAHC.2003.1203059

Stachniak, Z. (2014). Early Commercial Electronic Distribution of Software. IEEE Annals of the History of Computing, 36(1), 39–51. https://doi.org/10.1109/MAHC.2013.55

Stachniak, Z. (2015). Red Clones: The Soviet Computer Hobby Movements of the 1980s. IEEE Annals of the History of Computing, 37(1), 12–23. https://doi.org/10.1109/MAHC.2015.11

Sumner, J. (2007). What Makes a PC? Thoughts on Computing Platforms, Standards, and Compatibility. IEEE Annals of the History of Computing, 29(2), 88–88. https://doi.org/10.1109/MAHC.2007.30

Tinn, H. (2011). From DIY Computers to Illegal Copies: The Controversy over Tinkering with Microcomputers in Taiwan, 1980–1984. IEEE Annals of the History of Computing, 33(2), 75–88. https://doi.org/10.1109/MAHC.2011.38

Trimble, G. R. (2001). A brief history of computing. Memoirs of living on the edge. IEEE Annals of the History of Computing, 23(3), 44–59. https://doi.org/10.1109/85.948905

Usselman, S. W. (1996). Fostering a capacity for compromise: business, government, and the stages of innovation in American computing. IEEE Annals of the History of Computing, 18(2), 30–39. https://doi.org/10.1109/85.489748

van Roessel, L., & Katzenbach, C. (2020). Navigating the grey area: Game production between inspiration and imitation. Convergence: The International Journal of Research into New Media Technologies, 26(2), 402–420. https://doi.org/10.1177/1354856518786593

Zielinski, S. (2006). Deep time of the media: toward an archaeology of hearing and seeing by technical means. MIT Press.

Zielinski, S., Wagnermaier, S., & Custance, G. (Eds.). (2005). Variantology 1: on deep time relations of arts, sciences, and technologies. Walther König.

Interview with Charles Bigelow. (2018). IEEE Annals of the History of Computing, 40(3), 95–103. https://doi.org/10.1109/MAHC.2018.033841116

Ward Cunningham. (2011). IEEE Annals of the History of Computing, 33(4), 62–67. https://doi.org/10.1109/MAHC.2011.81

3. Iron Curtain Computing Histories

i) Czechoslovakia

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Blaive, M. (2016). National Narratives of Czech Identity. From the 19th Century to the Present. In A. Pelinka, K. Bischof, W. Fend, & K. Stögner (Eds.), Geschichtsbuch Mitteleuropa: vom Fin de Siècle bis zur Gegenwart (pp. 74–99). New Academic Press.

Bolton, J. (2012). Worlds of dissent: Charter 77, the Plastic People of the Universe, and Czech culture under communism. Harvard University Press.

Bren, P., & Neuburger, M. (Eds.). (2012). Communism unwrapped: consumption in Cold War Eastern Europe. Oxford University Press.

Carpentier Reifová, I., Gillárová, K., & Hladík, R. (2013). The Way We Applauded: How Popular Culture Stimulates Collective Memory of the Socialist Past in Czechoslovakia – the Case of the Television Serial Vyprávěj and its Viewers. In A. Imre, T. Havens, & K. Lustyik (Eds.), Popular television in Eastern Europe during and since socialism. Routledge.

Doležel, M., & Smutný, Z. (2019). The Emergence of Computing Disciplines in Communist Czechoslovakia: What’s in a (Sovietized) Name? In C. Leslie & M. Schmitt (Eds.), Histories of Computing in Eastern Europe (Vol. 549, pp. 16–39). Springer International Publishing. https://doi.org/10.1007/978-3-030-29160-0_2

Durnová, H. (2010). Sovietization of Czechoslovakian Computing: The Rise and Fall of the SAPO Project. IEEE Annals of the History of Computing, 32(2), 21–31. https://doi.org/10.1109/MAHC.2010.7

Durnová, H. (2014). Embracing the Algol Effort in Czechoslovakia. IEEE Annals of the History of Computing, 36(4), 26–37. https://doi.org/10.1109/MAHC.2014.51

Durnová, H. (2012). JSEP – Jednotný systém elektronických počítačů. In I. Lorencová (Ed.), Věda a technika v Československu od normalizace k transformaci (pp. 73–80). Národní technické muzeum.

Ellman, M. (2014). Socialist planning (Third edition). Cambridge University Press.

Havelková, H., & Oates-Indruchová, L. (Eds.). (2014). The politics of gender culture under state socialism: an expropriated voice. Routledge.

Havlík, A. (2022). Marky, bony, digitálky: Veksláci a fenomén veksláctví v socialistickém Československu. Vyšehrad.

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Hoppe, J., Škodová, M., Suk, J., & Caccamo, F. (2015). “O nový československý model socialismu”: čtyři interdisciplinární vědecké týmy při ČSAV a UK v 60. letech [“Striving for a new Czechoslovak model of socialism”: four interdisciplinary scientific teams of the Czechoslovak Academy of Sciences and the Charles University in the 1960s]. Ústav pro soudobé dějiny AV ČR.

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Kolář, P., & Pullmann, M. (2016). Co byla normalizace? studie o pozdním socialismu (Vydání první). Nakladatelství Lidové noviny.

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Krejčí, J., & Machonin, P. (1998). Czechoslovakia, 1918-92: a Laboratory for Social Change. Palgrave Macmillan.

McDermott, K. (2015). Communist Czechoslovakia, 1945-89: a political and social history. Palgrave Macmillan.

Nešpor, Z. R. (2014). The House of Technology in Pardubice: The ‘Grey Zone’ between Official and Dissident Sociology in Czechoslovakia in the 1970s and 1980s. Czech Sociological Review, 50(1), 107. https://doi.org/10.13060/00380288.2014.50.1.33

Paju, P., & Durnová, H. (2009). Computing Close to the Iron Curtain: Inter/national Computing Practices in Czechoslovakia and Finland, 1945-1970. Comparative Technology Transfer and Society, 7(3), 303–322. https://doi.org/10.1353/ctt.0.0039

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Sommer, V. (2016). Scientists of the World, Unite! Radovan Richta’s Theory of Scientific and Technological Revolution. In E. Aronova & S. Turchetti (Eds.), Science Studies during the Cold War and Beyond: Paradigms Defected (pp. 177–204). Palgrave Macmillan US. http://dx.doi.org/10.1057/978-1-137-55943-2_8

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ii) Eastern Bloc, Soviet Union

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Ackerman, D. (2016). The Tetris effect: the game that hypnotized the world (First edition). PublicAffairs.

Albert, G. J. (2016, 10). Crackers and the Transnational Late-Cold War Black Market. Got Papers? Preserve the Scene’s Material Heritage. http://gotpapers.untergrund.net/?p=1734

Åslund, A. (1984). The Functioning of Private Enterprise in Poland. Soviet Studies, 36(3), 427–444. https://doi.org/10.1080/09668138408411542

Audureau, W. (2019, January 8). En Hongrie communiste, des jeux vidéo en guise de laissez-passer. Le Monde. https://www.lemonde.fr/festival/article/2019/08/01/en-hongrie-communiste-des-jeux-video-en-guise-de-laissez-passer_5495401_4415198.html

Beregi, T. (2021). Hungary. In M. J. P. Wolf (Ed.), Encyclopedia of video games: the culture, technology, and art of gaming (Second edition, pp. 484–489). ABC-CLIO.

Beregi, T. (2015). Hungary. In M. J. P. Wolf (Ed.), Video games around the world (pp. 219–234). MIT Press.

Berend, T. I. (2009). From the Soviet bloc to the European Union: the economic and social transformation of Central and Eastern Europe since 1973. Cambridge University Press.

Biagioli, M., & Lépinay, V. A. (Eds.). (2019). From Russia with code: programming migrations in post-Soviet times. Duke University Press.

Budziszewski, P. K. (2015). Poland. In M. J. P. Wolf (Ed.), Video games around the world (pp. 399–424). MIT Press.

Fedorov, A. (2015). Russia. In M. J. P. Wolf (Ed.), Video games around the world (pp. 439–449). MIT Press.

Frasca, G. (2015). Uruguay. In M. J. P. Wolf (Ed.), Video games around the world (pp. 609–612). MIT Press.

Future Soft. (1987). Future Soft (classified ad). Moj Mikro, 4(5), 62.

Garda, M. B. (2020). Microcomputing revolution in the Polish People’s Republic in the 1980s. In P. Sitarski, M. B. Garda, & K. Jajko (Eds.), New Media behind the Iron Curtain: cultural history of video, microcomputers and satellite television in communist Poland (pp. 111–170). Łódź University Press : Jagiellonian University Press.

Garda, M. B., & Grabarczyk, P. (2021). “The Last Cassette” and the Local Chronology of 8-Bit Video Games in Poland. In M. Swalwell (Ed.), Game History and the Local (pp. 37–55). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-66422-0

Garin, M., & Martínez, V. M. (2015). Spain. In M. J. P. Wolf (Ed.), Video games around the world (pp. 521–534). MIT Press.

Gerovitch, S. (2002). From newspeak to cyberspeak: a history of Soviet cybernetics. MIT Press.

Gießler, D. (2018, November 21). The Stasi Played Along: Video Games In East Germany. Zeit Online. https://www.zeit.de/digital/games/2018-11/computer-games-gdr-stasi-surveillance-gamer-crowd

Graham, A. (2017). Enterprise Computers. Binary Dinosaurs. http://www.binarydinosaurs.co.uk/Museum/Enterprise/index.php

Guth, S. (2015). One Future Only: The Soviet Union in the Age of the Scientific-Technical Revolution. Journal of Modern European History, 13(3), 355–376. https://doi.org/10.17104/1611-8944-2015-3-355

Gyertyánfy, P. (1994). Authors’ Rights Protection of Computer Software in Central and Eastern Europe. In J. Becker, P. Lerche, & E.-J. Mestmäcker (Eds.), Wanderer zwischen Musik, Politik und Recht. Festschrift für Reinhold Kreile zu seinem 65. Geburtstag (pp. 257–267). Nomos.

Harindranath, G. (2008). ICT in a Transition Economy: The Case of Hungary. Journal of Global Information Technology Management, 11(4), 33–55. https://doi.org/10.1080/1097198X.2008.10856478

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Jakić, B. (2014). Galaxy and the New Wave: Yugoslav Computer Culture in the 1980s. In G. Alberts & R. Oldenziel (Eds.), Hacking Europe: from computer cultures to Demoscenes (pp. 107–128). Springer.

Jansoft. (1987). Jansoft (classified ad). Moj Mikro, 4(5), 61.

Jordan, T. (1986). Uwaga… Start!!! Radiokomputer. Bajtek, 2(11), 28.

Jurčak, A. (2018). Bylo to na věčné časy, dokud to neskončilo: poslední sovětská generace (P. Houda & V. Bránišová, Trans.). Karolinum.

Kanger, L. (2013). Domestic PC Production in the Soviet Baltic States 1977-1992. The University of Edinburgh. https://era.ed.ac.uk/bitstream/handle/1842/16452/Kanger2013.pdf

Kasmiya, R. (2015). Arab World. In M. J. P. Wolf (Ed.), Video games around the world (pp. 29–34). MIT Press.

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Képes, G. (n.d.). Computers behind the Iron Curtain. Hungarian Museum of Science, Technology and Transport. Retrieved October 30, 2016, from http://www.mmkm.hu/index.php/computers#OTODIK

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Lipovetsky, M. (2013). The Poetics of ITR Discourse: In the 1960s and Today. Ab Imperio, 2013(1), 109–139. https://doi.org/10.1353/imp.2013.0010

Lomakin, N. (2021). Spielen im Untergrund. Handgefertigte Brettspiele in der späten Sowjetunion. In Jahrbuch für Historische Kommunismusforschung 2021 (Vol. 2021, pp. 157–176). Metropol.

Mandić, S. (2008). Kompjuterizacija i istoriografija 1995-2005. Istorijski arhiv Beograda.

Mazur, T. (1989). Atari Super Turbo. Bajtek, 5(4), 10–11.

Meyer, R. (2019). Computer in der DDR. Landeszentrale für Politische Bildung Thüringen.

Moj Mikro. (1987). Mali oglasi (classified ad section). Moj Mikro, 4(11), 45–52.

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Packwood, L. (2013, July 30). The story of Yugoslavia’s DIY computer revolution. Eurogamer. http://www.eurogamer.net/articles/2013-07-30-the-story-of-yugoslavias-diy-computer-revolution

Pasanen, T. (2014). Gaming the Taboo in the Finlandisation Era Finland: The Case of Raid over Moscow. In D. Stobbart & M. Evans (Eds.), Engaging with Videogames: Play, Theory and Practice (pp. 121–131). Inter-Disciplinary Press.

Pasanen, T. (2017). Beyond the Pale: Gaming Controversies and moral Panics as Rites of Passage. University of Jyväskylä. https://jyx.jyu.fi/dspace/bitstream/handle/123456789/55170/978-951-39-7152-6_vaitos_02092017.pdf

Penn, S. (2005). Solidarity’s Secret: The Women Who Defeated Communism in Poland. University of Michigan Press.

Peters, B. (2016). How not to network a nation: the uneasy history of the Soviet internet. MIT Press.

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Popular Computing Weekly. (1983, December 1). Hungarian dancing monster. Popular Computing Weekly, 2(48), 1, 5.

Punčuh, D. (1988). Exolon (review). Moj Mikro, 5(1), 61.

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Robotron Technik.de. (2018). Spielautomat Polyplay. Robotron Technik.De. http://www.robotrontechnik.de/index.htm?/html/computer/polyplay.htm

Sheffer, E. (2011). Burned Bridge: how East and West Germans made the Iron Curtain. Oxford University Press.

Sitarski, P., Garda, M. B., Jajko, K., Wydawnictwo Uniwersytetu Łódzkiego, & Wydawnictwo Uniwersytetu Jagiellońskiego. (2020). New Media behind the Iron Curtain: cultural history of video, microcomputers and satellite television in communist Poland. Łódź University Press; Jagiellonian University Press.

Smith, P., & Fanfarelli, J. (2017). An Exploration of the Historical Contexts of Nu, Pogodi!, a Soviet Era LCD Game. Well Played Journal, 6(2), 72–89. https://press.etc.cmu.edu/journals/well-played-vol-6-no-2

SpeccyWiki. (2014, February 21). Stawicki. SpeccyWiki. http://speccy.info/M._Stawicki

Stach, S. (2021). Skat in der DDR. Zwischen Glücksspiel, Sport und deutscher Einheit. In Jahrbuch für Historische Kommunismusforschung 2021 (Vol. 2021, pp. 135–156). Metropol.

Staszenko-Chojnacka, D. (2020). Narodziny medium. Gry wideo w polskiej prasie hobbystycznej końca XX wieku [Dissertation]. Uniwersytet Łódzki.

Statistisches Bundesamt. (1982). Statistisches Jahrbuch 1981 für die Bundesrepublik Deutschland. W. Kohlhammer.

Švelch, J. (2017). Keeping the Spectrum alive: Platform fandom in a time of transition. In Fans and videogames: histories, fandom, archives (pp. 57–74). Routledge.

Švelch, J. (2018). Gaming the Iron Curtain: How Teenagers and Amateurs in Communist Czechoslovakia Claimed the Medium of Computer Games. The MIT Press.

Tatarchenko, K. (2013). “A House With The Window To The West”: The Akademgorodok Computer Center (1958-1993) [Dissertation]. Princeton University.

Tatarchenko, K. (2016). The Anatomy of an Encounter: Transnational Mediation and Discipline Building in Cold War Computer Science. In T. J. Misa (Ed.), Communities of Computing: Computer Science and Society in the ACM (pp. 199–227). ACM. https://doi.org/10.1145/2973856

Tatarchenko, K. (2017). “The Computer Does Not Believe in Tears”: Soviet Programming, Professionalization, and the Gendering of Authority. Kritika: Explorations in Russian and Eurasian History, 18(4), 709–739. https://doi.org/10.1353/kri.2017.0048

Thiele, M., & Geithner, M. (Eds.). (2013). Nachgemacht: Spielekopien aus der DDR. DDR Museum Verlag.

Thiele-Schwez, M. (2021). Handgefertigte Gesellschaftsspiele in der DDR. Zwischen Bastlerkultur und politischer Subversion. In Jahrbuch für Historische Kommunismusforschung 2021 (Vol. 2021, pp. 195–214). Metropol.

Turk, Ž., & Kmet, M. (1984). Tihotapci, pozor! Moj Mikro, 1(7–8), 51.

V-12. (2010). History of Commodore 64 in Poland… Interview with Waldemar Czajkowski. River’s Edge. http://www.riversedge.pl/history-of-commodore-64-in-poland-interview-with-waldemar-czajkowski

Vacek, P. (2015). Czech Republic. In M. J. P. Wolf (Ed.), Video games around the world (pp. 145–158). MIT Press.

Wasiak, P. (2014). Playing and Copying: Social Practices of Home Computer Users in Poland during the 1980s. In G. Alberts & R. Oldenziel (Eds.), Hacking Europe: from computer cultures to Demoscenes (pp. 129–150). Springer.

Wasiak, P. (2010). The East is Coming! The Demoscene in Eastern Europe. Rhizome Blog. http://rhizome.org/editorial/2010/may/21/the-east-is-coming-the-demoscene-in-eastern-europe/

Wolf, M. J. P. (2015). Video games around the world. MIT Press.

Primo – the forerunner (Primo computer family) – Inventing Europe. (n.d.). Retrieved October 19, 2020, from http://www.inventingeurope.eu/story/computing-is-for-everyone-computers-for-everyone&object

iii) Hungary

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Kelly, D. (1986, August 28). Hungary silence. The Guardian, 13.

iv) Yugoslavia

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Erdelez, S. (1991). Review and Analysis of the Software Copyright Protection in Yugoslavia. Yugoslav Law, 1, 23–40.

Future Soft. (1987). Future Soft (classified ad). Moj Mikro, 4(5), 62.

Jansoft. (1987). Jansoft (classified ad). Moj Mikro, 4(5), 61.

Mevorah, V. (2016). Internet umetnost u institucionalnom kontekstu: budućnost i izazovi digitalne umetnosti u Srbiji. Zbornik radova Fakulteta dramskih umetnosti, 29, 217–233. http://rifdt.instifdt.bg.ac.rs/handle/123456789/2294

Mihaljinac, N., & Mevorah, V. (2019). Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014. Media, Culture & Society, 41(6), 889–900. https://doi.org/10.1177/0163443719831177

Protic, J., & Ristanovic, D. (2011). Building computers in Serbia: The first half of the digital century. Computer Science and Information Systems, 8(3), 549–571. https://doi.org/10.2298/CSIS110505021P

Ristanović, D., Antonić, V., Staničić, D., Simić, S., & Protić, J. (2021). “Computers in Your Home” Digital Rebuild: Reviving the Start of the Personal Computer Revolution in Former Yugoslavia. Review of the National Center for Digitization, 39, 74–82. http://elib.mi.sanu.ac.rs/files/journals/ncd/39/ncdn39p74-82.pdf

ex-YU Racunalniska Scena. (n.d.). http://retrospec.sgn.net/users/tomcat/yu/index.php

4. Theory

i) Gender

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Abbate, J. (2012). Recoding gender: women’s changing participation in computing. MIT Press.

Bajcsy, R. (2002). An Interview Conducted by Janet Abbate for the IEEE History Center, 9 July 2002 (Interview #575) [Interview]. IEEE History Center. http://ethw.org/Oral-History:Ruzena_Bajcsy_(2002)

Berry, D. M., & Dieter, M. (2015). Thinking postdigital aesthetics: Art, computation and design. In D. M. Berry & M. Dieter (Eds.), Postdigital Aesthetics (pp. 1–11). Springer. https://doi.org/10.1057/9781137437204_1

Bird, G. A., Goss, R. C., & Bird, G. W. (1990). Effects of Home Computer Use on Fathers’ Lives. Family Relations, 39(4), 438–442. https://doi.org/10.2307/585225

Chabot, P. (2013). The philosophy of Simondon: Between technology and individuation. A&C Black.

Ensmenger, N. (2010). The computer boys take over: computers, programmers, and the politics of technical expertise. MIT Press.

Ensmenger, N. (2010). Making Programming Masculine. In T. J. Misa (Ed.), Gender codes: why women are leaving computing (pp. 115–141). Wiley; IEEE Computer Society.

Feenberg, A. (1988). The Bias Of Technology. In R. Pippin, A. Feenberg, & C. P. Webel (Eds.), Marcuse (pp. 225–256). Macmillan Education UK. https://doi.org/10.1007/978-1-349-19275-5_12

Feenberg, A. (2002). Transforming technology: A critical theory revisited. Oxford University Press.

Feng, T. A. O. (2021). An Overview on Sci-technological Aesthetics in the Age of Artificial Intelligence. Philosophy Study, 11(7), 527–532.

Fernandes, T., & Santos, E. (2020). Cyberfeminism and Critical Multiliteracies in Cyberculture. http://educa.fcc.org.br/scielo.php?script=sci_abstract&pid=S0104-40602020000100610&lng=en

Habermas, J. (1971). Technical Progress and Social Life-World and Technology and Science as Ideology. In Towards a Rational Society. Beacon Press, Boston.

Habermas, J. (2010). Technical progress and the social life-world. In Technology and values: Essential readings (pp. 169–175). Wiley Blackwell.

Haigh, T. (2010). Masculinity and the Machine Man. In T. J. Misa (Ed.), Gender codes: why women are leaving computing (pp. 51–71). Wiley; IEEE Computer Society.

Hicks, M. (2017). Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing. MIT Press.

Horkheimer, M., & Adorno, T. W. (2002). Dialectic of enlightenment (G. Noeri, Ed.). Stanford University Press.

Kellner, D., & Pierce, C. (2014). Introduction Marcuse’s Adventures in Marxism. In Marxism, Revolution and Utopia (pp. 9–76). Routledge.

Latour, B. (2007). Reassembling the Social: An Introduction to Actor-Network-Theory. OUP Oxford.

Lunn, E. (1990). The Frankfurt School in the development of the mass culture debate. In R. Roblin (Ed.), The Frankfurt School in the development of the mass culture debate (pp. 26–84). Edwin Mellen Pr.

Mackinnon, L. (2016). Love’s Algorithm: The perfect parts for my machine. In Algorithmic Life (pp. 161–175). Routledge.

Manovich, L. (2018). AI aesthetics. Strelka Press Moscow.

Marcuse, H. (2014). Marxism, Revolution and Utopia: Collected Papers of Herbert Marcuse, Volume 6 (D. Kellner & C. Pierce, Eds.; 1st edition). Routledge.

Margolis, J., & Fisher, A. (2002). Unlocking the clubhouse: women in computing. MIT Press.

McInroy, L., & Craig, S. (2018). Online fandom, identity milestones, and self-identification of sexual/gender minority youth. https://doi.org/https://www.tandfonline.com/doi/full/10.1080/19361653.2018.1459220

Misa, T. J. (Ed.). (2010). Gender codes: why women are leaving computing. Wiley ; IEEE Computer Society.

Molnár, Ľ. (2008). Od Uralu k všadeprítomnému počítaniu. https://www.fiit.stuba.sk/buxus/docs/podujatia/narodeniny-fiit-web.pdf

Nordli, H. (2003). The Gathering–Computer Parties as Means for Gender Inclusion (IST-2000-26329 SIGIS). European Commission.

Nordli, H. (2003). The Net is not Enough: Searching for the Female Hacker. NTNU.

Offe, C. (1988). Technology and one-dimensionality: a version of the technocracy thesis? In Marcuse (pp. 215–224). Springer.

Patton, P., & Baudrillard, J. (1995). Introduction. The Gulf War Did Not Take Place (pp. 1–21). Indiana University Press.

Phillips, P. (2022). We Are All Human: A Review of the Trevor Project and the It Gets Better Project. https://doi.org/10.1080/15398285.2022.2029279

Rankin, J. L. (2018). A people’s history of computing in the United States. Harvard University Press.

Reeves, J. (2016). Automatic for the people: the automation of communicative labor. Communication and Critical/Cultural Studies, 13(2), 150–165.

Sherry, T. (1995). Life on the Screen: Identity in the Age of the Internet.

Simpson, L. C. (2014). Technology, time, and the conversations of modernity. Routledge.

Šolcová, M. (1984). Postavení ženy v socialistické společnosti. Horizont.

Tassone, G. (2002). The Possible Wonders of Technology. Beyond Habermas towards Marcuse: a Critical Framework for Technological Progress. In P. Blackledge & G. Kirkpatrick (Eds.), Historical Materialism and Social Evolution (pp. 190–212). Palgrave Macmillan UK. https://doi.org/10.1057/9781403919977_8

Turkle, S. (2005). The second self: Computers and the human spirit. Mit Press.

Turkle, S. (2011). Evocative Objects: Things We Think With. MIT Press.

Turkle, S. (1995). Ghosts in the machine. The Sciences, 35(6), 36–39.

University of the Arts London. (2023). A short history of LGBTQIA+ zines. LCC Zine Collection. https://lcczinecollection.myblog.arts.ac.uk/lgbtqia-zines/

Van Den Eede, Y. (2011). In between us: On the transparency and opacity of technological mediation. Foundations of Science, 16, 139–159.

Yue, A., & Ryan PA, L. (2022). Digital sexual citizenship and LGBT young people’s platform use. https://journals.sagepub.com/doi/10.1177/17480485221094115

Zeilinger, M. (2021). Tactical entanglements: AI art, creative agency, and the limits of intellectual property. meson press.

Promise of AI not so bright. (2006). The Washington Times. https://www.washingtontimes.com/news/2006/apr/13/20060413-105217-7645r/

ii) Related Fields

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Clifton, C., Staub, A., & Rayner, K. (2007). Chapter 15 – Eye movements in reading words and sentences. In R. P. G. V. Gompel, M. H. Fischer, W. S. Murray, & R. L. Hill (Eds.), Eye Movements (pp. 341–371). Elsevier. https://doi.org/https://doi.org/10.1016/B978-008044980-7/50017-3

Hirschberg, U., Hovestadt, L., & Fritz, O. (Eds.). (2020). Atlas of digital architecture: terminology, concepts, methods, tools, examples, phenomena. Birkhauser.

Maps, C. P. S. on G. (2022, March 31). Biennale Arte 2022 | Ulla Wiggen. La Biennale Di Venezia. https://www.labiennale.org/en/art/2022/milk-dreams/ulla-wiggen

Paul, C. (2015). Digital Art (Third edition). Thames & Hudson.

The New Media Reader by Noah Wardrip-fruin. (n.d.).

Electronic Literature Organization – To facilitate and promote the writing, publishing, and reading of literature in electronic media. (n.d.). Retrieved April 21, 2023, from https://eliterature.org/

The Interactive Fiction Database – IF and Text Adventures. (n.d.). Retrieved April 21, 2023, from https://ifdb.org/

Cybernetic Serendipity. (2023). In Wikipedia. https://en.wikipedia.org/w/index.php?title=Cybernetic_Serendipity&oldid=1150152574

5. Unfiled Items

i) Needs Classification

4956462 ENLBA4T3 1 apa 200 creator asc 8272 https://costgrade.eu/wp-content/plugins/zotpress/

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